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Piano Sheet Music
"Music is the vernacular of the human soul." Geoffrey Latham
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. His works include the musical comedies Kiss Me, Kate, Fifty Million Frenchmen, DuBarry Was a Lady and Anything Goes, as well as songs like "Night and Day", "I Get a Kick out of You", "Well, Did You Evah!" and "I've Got You Under My Skin". He was noted for his sophisticated, bawdy lyrics, clever rhymes and complex forms. Porter was one of the greatest contributors to the Great American Songbook. Cole Porter is one of the few Tin Pan Alley composers to have written both the lyrics and the music for his songs.
J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Szymanowski
Karol Maciej Szymanowski (3 October 1882 – 28 March 1937) was a Polish composer and pianist.
Among Szymanowski's better known orchestral works are four symphonies (No. 3, Song of the Night with choir and vocal soloists and No. 4, Symphonie Concertante, with piano concertante) and two dream-like violin concertos. His stage works include the ballets Harnasie and Mandragora and the operas Hagith and Król Roger ('King Roger'). He wrote much piano music, including the four Etudes, Op. 4 (of which No. 3 may be his single most popular piece), many mazurkas and the exquisite and highly individual Metopes. Other works include the Three Myths for violin and piano, two masterful string quartets, a sonata for violin and piano, a number of orchestral songs (some to texts by Hafez and James Joyce) and his Stabat Mater, an acknowledged choral masterpiece.
According to Samson (p. 131), "Szymanowski adopted no thorough-going alternatives to tonal organization the harmonic tensions and relaxations and the melodic phraseology have clear origins in tonal procedure, but an underpinning tonal framework has been almost or completely dissolved away."
Among Szymanowski's better known orchestral works are four symphonies (No. 3, Song of the Night with choir and vocal soloists and No. 4, Symphonie Concertante, with piano concertante) and two dream-like violin concertos. His stage works include the ballets Harnasie and Mandragora and the operas Hagith and Król Roger ('King Roger'). He wrote much piano music, including the four Etudes, Op. 4 (of which No. 3 may be his single most popular piece), many mazurkas and the exquisite and highly individual Metopes. Other works include the Three Myths for violin and piano, two masterful string quartets, a sonata for violin and piano, a number of orchestral songs (some to texts by Hafez and James Joyce) and his Stabat Mater, an acknowledged choral masterpiece.
According to Samson (p. 131), "Szymanowski adopted no thorough-going alternatives to tonal organization the harmonic tensions and relaxations and the melodic phraseology have clear origins in tonal procedure, but an underpinning tonal framework has been almost or completely dissolved away."
The Secret Garden
The Secret Garden is a musical based on the 1909 novel of the same name by Frances Hodgson Burnett. The musical's book and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway at the St. James Theatre on 25 April 1991 and closed on 3 January 1993 after 709 performances.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
Honegger
Arthur Honegger (French: ; 10 March 1892 – 27 November 1955) was a Swiss composer, who was born in France and lived a large part of his life in Paris. He was a member of Les Six. His most frequently performed work is probably the orchestral work Pacific 231, which was inspired by the sound of a steam locomotive.
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Traditional
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
R. Schumann
Train
Train is a Grammy Award winning rock band formed in San Francisco, California. To date, three of their albums have peaked in the top 10 of the Billboard 200 and have sold a total of over 4 million albums in the US. Three of their songs have been top 20 hits on the Billboard Hot 100 including their biggest hit "Drops of Jupiter (Tell Me)". Train has found success on modern adult contemporary radio stations, where they have had eight songs in the top 20 of the Hot Adult Top 40 Tracks chart.
Members:
Patrick Monahan
Scott Underwood
Jimmy Stafford
Brandon Bush
Johnny Colt
Members:
Patrick Monahan
Scott Underwood
Jimmy Stafford
Brandon Bush
Johnny Colt
L. V. Beethoven
Louis-Claude Daquin
Louis-Claude Daquin (or d'Acquin), (July 4, 1694 – June 15, 1772) was a French composer of Jewish birth writing in the Baroque and Galant styles. He was a virtuoso organist and harpsichordist.
At the age of eight, he conducted his own choral work Beatus Vir.
Daquin's surviving music includes four harpsichord suites, a Nouveau livre de noëls for organ and harpsichord (settings of Christmas pastorals, which include some of his harpsichord improvisations), a cantata, and an air à boire. Among the most famous of his works are the Swiss Noel (Noël Suisse, No. XII of his Nouveau livre), and Le coucou ("The Cuckoo") which is from his 1735 harpsichord suite.
Among technical innovations, his Trois cadences for harpsichord contains a triple trill.
At the age of eight, he conducted his own choral work Beatus Vir.
Daquin's surviving music includes four harpsichord suites, a Nouveau livre de noëls for organ and harpsichord (settings of Christmas pastorals, which include some of his harpsichord improvisations), a cantata, and an air à boire. Among the most famous of his works are the Swiss Noel (Noël Suisse, No. XII of his Nouveau livre), and Le coucou ("The Cuckoo") which is from his 1735 harpsichord suite.
Among technical innovations, his Trois cadences for harpsichord contains a triple trill.
Casting Crowns
Casting Crowns is a Grammy award and Dove Award winning Christian band that employs a soft rock music style. The band was created in 1999 by youth pastor Mark Hall at First Baptist Church in Downtown Daytona Beach, Florida as part of a Youth Group. He also serves as a lead vocalist. Later they moved to McDonough, Georgia and more members joined creating the band now known as Casting Crowns. Some members of the band currently work as ministers for Eagles Landing First Baptist Church in McDonough, Georgia.
Discovered by, among others, contemporary Christian music legend Steven Curtis Chapman, Casting Crowns received a recording contract and vaulted to popularity in 2003 with their self-titled debut album Casting Crowns. The album quickly made them one of the fastest selling debut artists in Christian music history. Lifesong followed in 2005, debuting at #9 on the Billboard 200 Albums Chart. Both albums have been certified Platinum. The band's third album The Altar and the Door debuted at #2 on the Billboard 200 Albums Chart and #1 on the Hot Christian Albums chart upon its release in August 2007. Ten weeks after it came out it was certified Gold.
Casting Crowns has enjoyed tremendous success in the United States. They have released nine singles to date, seven of which have become consecutive number one hits on various Christian music charts. "Voice of Truth" spent a record-breaking fourteen consecutive weeks at #1 beginning in 2003. "Lifesong" spent nine weeks in the top spot, with "Praise You in This Storm" remaining at #1 for seven weeks. Casting Crowns broke their own record in 2007 when the single "East to West" from The Altar and the Door hit sixteen consecutive weeks at #1. The song ended up enjoying the top spot for a total of nineteen weeks, now their most successful single to date.
Discovered by, among others, contemporary Christian music legend Steven Curtis Chapman, Casting Crowns received a recording contract and vaulted to popularity in 2003 with their self-titled debut album Casting Crowns. The album quickly made them one of the fastest selling debut artists in Christian music history. Lifesong followed in 2005, debuting at #9 on the Billboard 200 Albums Chart. Both albums have been certified Platinum. The band's third album The Altar and the Door debuted at #2 on the Billboard 200 Albums Chart and #1 on the Hot Christian Albums chart upon its release in August 2007. Ten weeks after it came out it was certified Gold.
Casting Crowns has enjoyed tremendous success in the United States. They have released nine singles to date, seven of which have become consecutive number one hits on various Christian music charts. "Voice of Truth" spent a record-breaking fourteen consecutive weeks at #1 beginning in 2003. "Lifesong" spent nine weeks in the top spot, with "Praise You in This Storm" remaining at #1 for seven weeks. Casting Crowns broke their own record in 2007 when the single "East to West" from The Altar and the Door hit sixteen consecutive weeks at #1. The song ended up enjoying the top spot for a total of nineteen weeks, now their most successful single to date.
G. F. Handel
George Frideric Handel (German: Georg Friedrich Händel; pronounced ) (23 February 1685 – 14 April 1759) was a German-English Baroque composer who is famous for his operas, oratorios, and concerti grossi. Handel was born in Germany in the same year as JS Bach and Domenico Scarlatti. He received critical musical training in Italy before settling in London and becoming a naturalised British subject. His works include Messiah, Water Music, and Music for the Royal Fireworks. He was strongly influenced by the techniques of the great composers of the Italian Baroque and the English composer Henry Purcell. Handel's music was well-known to many composers, including Haydn, Mozart, and Beethoven.
Haydn
Franz Joseph Haydn (March 31, 1732 – May 31, 1809) was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
Charpentier
Marc-Antoine Charpentier, (born 1643, in or near Paris, France--died Feb. 24, 1704, Paris), most important French composer of his generation and the outstanding French composer of oratorios.
Charpentier went to Rome in about 1667, where he is believed to have studied composition, perhaps with Giacomo Carissimi. On his return to France about three years later he became chapelmaster to the dauphin but lost that position through Jean-Baptiste Lully's influence. He composed the music for a new version of Moliere's The Forced Marriage (first performed 1672) and collaborated with him again in The Imaginary Invalid (1673). After Moliere's death Charpentier continued to work for the Theatre Francais until 1685. He produced his greatest stage work, Medee, to Thomas Corneille's text, in 1693. From perhaps 1670 to 1688 he had as his patron Marie de Lorraine, known as Mademoiselle de Guise, and from 1679 he composed
Charpentier went to Rome in about 1667, where he is believed to have studied composition, perhaps with Giacomo Carissimi. On his return to France about three years later he became chapelmaster to the dauphin but lost that position through Jean-Baptiste Lully's influence. He composed the music for a new version of Moliere's The Forced Marriage (first performed 1672) and collaborated with him again in The Imaginary Invalid (1673). After Moliere's death Charpentier continued to work for the Theatre Francais until 1685. He produced his greatest stage work, Medee, to Thomas Corneille's text, in 1693. From perhaps 1670 to 1688 he had as his patron Marie de Lorraine, known as Mademoiselle de Guise, and from 1679 he composed
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Inuyasha
InuYasha (犬夜叉?), full title InuYasha, a Feudal Fairy Tale (戦国御伽草子 犬夜叉 Sengoku Otogizōshi InuYasha?), is a Japanese manga series written and illustrated by Rumiko Takahashi. It premiered in Weekly Shōnen Sunday on November 13, 1996 and concluded on June 18, 2008. The series follows a half-demon, a time-traveling high school girl, a lecherous monk, a fox demon, and a demon slayer during the Sengoku period as they seek to find all the fragments of the Jewel of Four Souls and to keep them out of the hands of evildoers, especially Naraku.
The manga was adapted as two anime television series produced by Sunrise. The first, broadcast for 167 episodes on Yomiuri TV in Japan from October 16, 2000 until September 13, 2004, was directed by Masashi Ikeda for the first forty-four episodes and by Yasunao Aoki for the remainder. The second series, called InuYasha: The Final Act, began airing October 3, 2009 to cover the rest of the manga series and ended on March 29, 2010.
The manga was adapted as two anime television series produced by Sunrise. The first, broadcast for 167 episodes on Yomiuri TV in Japan from October 16, 2000 until September 13, 2004, was directed by Masashi Ikeda for the first forty-four episodes and by Yasunao Aoki for the remainder. The second series, called InuYasha: The Final Act, began airing October 3, 2009 to cover the rest of the manga series and ended on March 29, 2010.
Pietro Nardini
Pietro Nardini (April 12, 1722 – May 7, 1793) was an Italian composer and violinist.
He was born in Fibiana and studied music at Livorno, later becoming a pupil of Giuseppe Tartini. As a violinist, he earned the admiration of Leopold Mozart. In 1770, he became Kapellmeister to the Grand Duke of Tuscany in Florence.
Nardini is mentioned in Hester Lynch Piozzi's Observations and Reflections Made in the Course of a Journey Through France, Italy, and Germany (1789) as playing a solo at a concert Mrs Piozzi and her husband, Gabriele Piozzi, gave in Florence in July 1785.
As a violinist, Nardini wrote a few compositions, though not numerous. Each are melodious and highly playable, useful in technical studies. Best known are the Sonata in D major and the Concerto in E minor.
He was born in Fibiana and studied music at Livorno, later becoming a pupil of Giuseppe Tartini. As a violinist, he earned the admiration of Leopold Mozart. In 1770, he became Kapellmeister to the Grand Duke of Tuscany in Florence.
Nardini is mentioned in Hester Lynch Piozzi's Observations and Reflections Made in the Course of a Journey Through France, Italy, and Germany (1789) as playing a solo at a concert Mrs Piozzi and her husband, Gabriele Piozzi, gave in Florence in July 1785.
As a violinist, Nardini wrote a few compositions, though not numerous. Each are melodious and highly playable, useful in technical studies. Best known are the Sonata in D major and the Concerto in E minor.
Sting & The Police
The Police were an English rock trio, from London, England, formed originally in 1977. The trio consisted of Sting (lead vocals, bass guitar), Andy Summers (guitar, vocals) and Stewart Copeland (drums, vocals, percussion). The band became globally popular in the late 1970s and are generally regarded as one of the first New Wave groups to achieve mainstream success, playing a style of rock that was influenced by jazz, punk and reggae music. Their 1983 album, Synchronicity, was number one in the UK and the US and sold over 8,000,000 copies in the US. The band broke up in 1984, but reunited in early 2007 for a one-off world tour lasting until August 2008, in celebration of the 30th anniversary of their hit single "Roxanne" and also, to a lesser extent, that of their formation as a group. The Police have sold more than 50 million albums worldwide, and became the world's highest-earning musicians in 2008, thanks to their reunion tour. Rolling Stone ranked The Police number 70 on their list of the 100 Greatest Artists of All Time.
Nielsen
Carl August Nielsen (9 June 1865 – 3 October 1931), widely recognised as Denmark's greatest composer, was also a conductor and a violinist. Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. While it was some time before his works were fully appreciated, even in his home country, Nielsen has now firmly entered the international repertoire. Especially in Europe and the United States, Nielsen's music is ever more frequently performed, with interest growing in other countries too. Carl Nielsen is especially admired for his six symphonies, his Wind Quintet and his concertos for violin, flute and clarinet. In Denmark, his opera Maskarade and a considerable number of his songs have become an integral part of the national heritage. While his early music was inspired by composers such as Brahms and Grieg, he soon started to develop his own style, first experimenting with progressive tonality and later diverging even more radically from the standards of composition still common at the time. For many years, he appeared on the Danish hundred-kroner banknote.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.